As I write, I’m listening to Gnossienne No. 1 by Erik Satie. I’m very fond of Satie, who is an incredibly imaginative writer, as well as a wonderful composer. However, the room appears to have shrank and, try as I might, I can’t seem to squeak out a crumb of humour as it’s playing, which is a disservice to the man himself. My mind has been clouded over with Royal Dalton. There’s something about classical piano pieces that render the listener hypnotically earnest. I couldn’t fathom a having a dinner party while this kind of music was on in the background. I’d imagine that even those not from England would lapse into affected Sloaneyisms. They’d voice opinions that they don’t even have on modern art, and I’d be stood there, out of my depth, wondering if its impolite to chain smoke in my own flat, ashamed of my Northern Irish accent that makes everything I say sound like a threat. I can’t ever say the word “knee” in any context because people stiffen and ask, “Did you say you were going to do my knees?” Jesus, of course not. I have family members to do that for me.
(I couldn’t have a dinner party anyway, unless everyone wanted to sit on the floor picking cat fur off their trousers and drinking warm Londis wine from an ancient cracked mug that was sprouting pale green downy fur).
Ah, Pulp! Much better.
Yesterday, Rob, myself and my rather fetching facial herpes toddled down to Piccadilly Circus to attend the premiere of Charlie Brooker’s Dead Set. Some people had come dressed as zombies but I had no desire to relive the four days of utter discomfort in which I was so saturated in fake blood that I had to use a jack to prise my legs apart every time I got a spare second for a wee. I hung around in the foyer with my head in a trough of popcorn, occasionally having, “Oh, that’s her” moments when my eyesight wasn’t obscured by hot butter.
Dead Set is a short horror series starting tonight on E4 (watch it or I’ll burn your family) and gorily climaxing on Halloween. I had my reservations about it; the setup consists of the end of the world with what may be the last survivors battling for their lives in the Big Brother house. There’s the plucky runner, the bastard producer and the hapless housemates whom we hate on sight but then eventually grow to care for, or at least not break into rapturous applause when they’re ripped in half.
It could have been a compendium of amusing verb-noun swearing (“You fucknut! You complete shitbasket!”) self consciously signposted with clunky satirical swipes. As it stands, though, I’m surprised that E4- home of American exports like Desperate Housewives and uselessly frothy list shows- agreed to make it. It starts off as sharp commentary on the underbelly of television and then descends into brutal, kinetic gore. It’s relentless, tense, hopeless and genuinely horrible. With the occasional amusing verb-noun swearing. It also featured newsreader Krisnan Guru Murphy, who seems to be my generation’s Patrick Allen.
What always irks me about zombie films is that they never use the word zombie. If you’re setting a zombie film in 2008, then your characters would know what a zombie is. The skipping around it with “the undead”, the “living dead” and, “Oh fuck, it’s THEM!” is lost on me. Likewise, Dead Set followed the 28 Days Later school of shaky camera work, which is distracting and irritating because you can’t actually see what the hell is going on. Maybe that’s the point, but a few times last night I was confused when zombies poured in from nowhere and became a blur of blue skin and bad teeth while I struggled to grasp who, if anyone, they were eviscerating.
I really enjoyed Dead Set, if enjoyed is the right word for leaving the cinema checking the irises of people’s eyes. Oh, and if you want to see me in it, just look for a flash of pink hair at the end. It was also a testament to the power of television. I hadn’t had a fried egg sandwich in six years. I’ve had two today.
After the premiere, we stopped by the aftershow party to sample its free bar. Through the glaze of wine I had more of those, “Oh, it’s her” moments. I haven’t watched a series of Big Brother in five years but I still recognise the housemates as most of them spent a while plastered on the front cover of Heat magazine. I strolled up to a few of them to say hello and they were all obscenely friendly and sweet, even though next to their blonde, designer litheness I felt like a full stop, given that I was dressed particularly badly at the time. I met Andy Nyman, who I admire an awful lot, since I’m a fan of triangle headed modern day witch Derren Brown. He’s about five foot five tall and I was quite grateful to drape myself across his shoulder for a photograph, feeling like I’d stumbled into the land of My People, those without thirty yards of legs separating their oxygen starved heads from the ground. I said hello again to the make up girls, the director and Charlie Brooker, and was quite flattered that they all remembered me, even though it was hard not to since I was sporting a pink mohawk and my breasts had been determinedly wriggling out of my dress all day. They were also effusive and lovely. I said hello to Kevin Eldon, too, who I can’t look at without imagining in a nappy (not a weird sexual fetish of mine, just something from The Day Today). I don’t get star struck and generally speak to everyone in the same way but I was a little by Kevin Eldon.
Saturday was a good evening, too, being the first of two days in which I found myself pleasantly tipsy. I’ve actually been in a good mood throughout the weekend. Yesterday before going out I watched “Boy A”, in which a former child killer tries to rebuild his life, and cried my eyes out. It’s one of those dramas where you find yourself pounding your fists against the screen howling, “WHY? YOU COULD HAVE BEEN ALRIGHT!” and your neighbours ring the bell and ask if everything’s “okay”, and then you fall into their arms mumbling something about bridges. In my actual day to day life, I rarely cry, even if I’m very depressed. I’m one of those depressives who gets the classic “flat affect” rather than bawling. When I’m depressed, I look like this:
and my vocabulary extends to grunting and gesticulating. But sad songs and films make me cry like a twat. Even not sad ones. I cried when I watched Ratatouille. Something about a cartoon rat not being accepted by humans, I don’t know. It’s a METAPHOR isn’t it. Likewise, I laugh when I really shouldn’t. At my grandad’s funeral, the priest was straight out of Father Ted, dully intoning something or other about god. He occasionally hiccuped and kept referring to my grandad as “she” and I burst out laughing. When we were given the body of Christ (a wafer thin mint), it got stuck to the roof of my mouth and I was uselessly trying to prise it off with my tongue. It finally dislodged and fell into my hand with a tiny wet slap, so I had to shove it back in a swallow it. Regurgitating the body of Christ like a mother bird. Then I performed the trick that all Catholics forced to sit through endless masses in their childhoods know about; bow your head as though you’re overwhelmed with piousness and laugh into your lap. If people behind you see your shoulders shaking, they’ll assume that you’re so overcome with love that you can’t control your emotions.
You can’t do that in America, though. When I was there on an exchange trip, rather than pretending to pray on my own, they made me hold their hands in the air and stand up so I felt like we were in the Wicker Man and that the alter was going to split open like Predator’s mouth and reveal a giant wicker Jesus. Aged twelve and precocious, I had written an exasperated note to myself in the bedroom talking about how I didn’t believe in god anyway, and I had told them as much. They found it and subjected me to an angry tearful lecture. Ah, happy memories.
In today’s non-news, Twatty Britain has been dusting off its pitchforks and driving themselves into a judgmental (quite literally, in this case) frenzy over a TV appearance by Kerry Katona. She’s a singer and reality TV star that appeared on a magazine show called “This Morning”. It’s broadcast at about 10.30 after the Jeremy Kyle show so is therefore watched by those who like the sensation of being repeatedly punched in the face.
Kerry has manic depression and is being treated for it. This was the appearance:
To me, it’s immediately clear that she’s still under the influence of medication. She takes an antipsychotic (which are taken at night time) and got to bed late. It’s early in the morning and of course she’s still going to be doped up. I am exactly the same at that time since I also take an antipsychotic. In my past job, they thought I was an alcoholic as I’d arrive at 9am and still be slurring my words. You have to take that type of medication really early if you want to function in the morning.
Kerry even responds to the presenter’s tactless questioning by naming the medication she’s taking. And yet, even with this, she’s being lynched over here, being called a drug addict, alcoholic slut and bad mother. The video is on Youtube in different guises and each one contains a ream of astonishingly ill-informed, abusive crap. Here she tries to speak out and says that people are prejudiced against those with bipolar disorder, which, as we all know, is bloody true (and in every sense; we can’t do jury service and those of us with the severe form of the illness can’t adopt or foster or work within certain places like British defence organisations). And yet the article is still rollseyes. Even the more rational people who accept her explanation are saying that bipolar disorder isn’t an “excuse”.
I don’t have much affection for her given that she’s a vapid, frozen food hawking popstrel with the voice of a haunted five year old but I feel really sorry for her here and angry on her behalf. People are ignorant, and some of the abuse (like calling her a slut and slag over and over- isn’t it great to be a woman?) is like a bad day out in BBC’s Have Your Say (the internet home of, “Get back to work you fucking scroungers!”) and makes me want to gouge my eyes out.
As her protests aren’t really endearing herself to anyone, I’m expecting a sobbing Jade Goody-esque TV appearance sometime soon in which she apologises for somehing she didn’t do.
Filed under: being mentally interesting, bipolar, Bipolar 1 Disorder, Bipolar Disorder, coping with manic depression, dead set, depression, directionless ranting, kerry katona Tagged: | bipolar, Bipolar Disorder, depression